
TV has been in a zone for the last few years where shows focus on a main character that's incredibly flawed, perhaps even a jerk. Or, in the case of the Alphabet Net's newest sitcom, something that rhymes with "witch."

TV has been in a zone for the last few years where shows focus on a main character that's incredibly flawed, perhaps even a jerk. Or, in the case of the Alphabet Net's newest sitcom, something that rhymes with "witch."

Writer/Creator Shonda Rhimes is stepping out of her successful "Doctor Zone" to give her spin on unconventional lawyers in SCANDAL. I'm willing to bet she has another hit on her hands.

With DESPERATE HOUSEWIVES coming to an end and PAN AM failing to grab an audience, the Alphabet Network is looking for a show to save their Sunday Soap Night. I think GCB will do the job just fine.

Ever since the success of THE BLAIR WITCH PROJECT in 1999, the industry has been in love with first-person camera and found footage stories, especially in the realm of horror. Previous TV attempts haven't worked out so well but I think THE RIVER might change that.

If you haven't seen a commercial for SMASH, then you must not have been watching anything on NBC for the last four months. But don't let the onslaught of ads chase you away, it's a really good show.

Normally the sight of Kiefer Sutherland talking on a cell phone on FOX would lead to explosions, gunfire, and/or punching. There are still mysteries to watch unfold but TOUCH gives us a very different Kiefer in a very intriguing show.

While Season 1 played out similarly to the original British version, Season 2 is where Syfy's BEING HUMAN really starts to stretch its proverbial legs. And it's a good stretch.

While GRIMM is not the first to extrapolate what would happen if those famously authored fairy tales were based on fact (nor is it the only one to hit the airwaves in 2011), it is the first TV series to turn that concept into a police procedural. But does it work?